Witch King

The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.

Which is unfair on the book, because it is entirely its own thing.

But also carries a lot of Murderbot DNA.

There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...

But Kai is also more openly vulnerable, more open with his friends and much more DTF.

Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on the small scale.

The action is so good. Well's writes in such a cinematic way that I am immediately sucked into the scene. And they feed into each other so well, with the split past/present back story meaning that you are always left in the middle of some cliffhanger or important event even during the downtime.

The setting is also really interesting, the magic system is weird, but usually clearly conveyed, and the world is... well it's a mess. Dealing with the fallout from the magical equivalent of a nuclear war.

Overall, the most basic comparison is the strongest though. This is an incredibly compelling book, that I can see myself re-reading many times.

I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!

The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.

And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.

So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.

That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?

This book is the tale of Kai (a demon prince) who had been trapped with his witch friend Ziede, working to figure out who had trapped them and why, while also trying to rescue their missing friend Tahren. There's also a perspective of Kai from the past being trapped, freed, and working to fight against the Hierarchs.

I have some mixed feelings about this book. It certainly opens up very strongly and the characters, plot, and world grabbed me immediately. I am a sucker for a story with dual perspective, telling a story in the past as well as the present that echo each other. The worldbuilding ideas felt super fresh and I loved learning about the world, the politics, and the characters. However, I was disappointed by parts of the ending, felt overwhelmed by a lot of world detail for quite some time, and wished that there was a bit more character detail for anybody but Kai.

This book drops you squarely in the middle of worldbuilding detail (almost as much as Ninefox Gambit). Even by the end, I'm still not sure that I know what differentiates various magic types, what the Hierarchs are, or the different flavors of Immortal Blessed. I don't know that I need to know all of these things either, but it felt like I was left with a lot of holes in my knowledge.

Because of that, I hope that there is more than just this single book, because so much of it leaves me wanting. There's whole swaths of history that are not described in the past (e.g. Kai's grandmother) as well as between the past and present sections of the narrative. On top of that, it felt like there were some characters like Tenes and Sanja who didn't really get a lot of space on the page. It almost felt like the cast was too broad and so characters didn't get enough room to develop.

I certainly dig the gender stuff going on in the background. Kai is a demon who inhabits multiple bodies over time. There's also some snooty "oh these Arike folks have some binary gender hangups" in an epigraph before some of the chapters. There's some comments about mercenaries (normally women) being forced to present in ways that they normally wouldn't. This is all kind of in the background of the story, but mostly I just want to hear more about demon gender, thank you.

I think my biggest disappointment with the book is the method in which some of the plot lines are wrapped up. I'll leave those thoughts in a spoilerly comment separately.

Despite some negative feelings above, overall I really enjoyed this and it makes me want to go back and reread the Raksura books again.